Red & Yellow, a Wes Anderson Supercut
I knew that Wes Anderson always uses Futura in his films (the notable exception being Jessica Hische’s typeface for Moonrise Kingdom) but I hadn’t realised just how obsessed he was with the colours red and yellow until I watched Rishi Kaneria‘s supercut.
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Red & Yellow: A Wes Anderson Supercut from Rishi Kaneria on Vimeo.
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